Apple Season

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Dear friends,

I have a new(ish) dance-for-camera that’s now online!

Apple Season was created and filmed in the fall of 2010. It was edited in 2011. It took a long time to come together. It was a one-woman production, and it got put on the back burner for while things in my life shifted, and changed, and generally had to be sorted out.

Originally, this work was inspired by my love of mystery and detective stories. I discovered that the first story considered to be a murder mystery is “The Tale of Three Apples” from The Arabian Nights. It was very interesting (and troubling) to me that the first murder mystery was about domestic violence towards a woman. Apple Season came from my idea of the voiceless victim also acting as the detective – telling her side of things as the clues are pieced together, working backwards from the murder.

Original costume design – click to enlarge.

Another driving theme of this piece is how the body tells invisible stories. Detective stories from Sherlock Holmes to CSI are popular because we, the audience, are blown away by how much information can be gathered from simple (or high tech) observations of the body. As a dancer and choreographer, I am very interested in how the body tells these stories.

I created the storyboards, costume, and choreography. I experimented with creating a dye from beets to stain the dress. I filmed myself in my apartment, using my roommate’s camera.

The San Francisco-based band, The Definite Articles, gave me permission to use a song they thought would be perfect for the project – The Calm, from their latest album, King Merriweather. It was a wonderful fit.

In fact, I almost gave up on this project altogether. Luckily, when I saw a live performance of the song that I had been given permission to use by The Definite Articles and it re-inspired me to finish the editing.

I submitted this to the SF Dance Film Fest, but it didn’t make it in. So now, a long time in coming it seems, it’s public! I hope you enjoy it. I’d love to hear your feedback.

Thanks! – LB

An Interview with a Successful Artist: Juliana Olsson

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The Project: I want to be a successful artist. What does that mean? How do I define “artist”? How do I define “success?” I want to interview fellow artists for my own and others’ inspiration.

Notes: I started with artists I know personally very well, and the first 5 interviews came together in a mini-series of emerging artists. The 5 interviews in this series were transformed into mini-zines with hand-drawn portraits of the artists and other details by me. These are available for purchase at my Etsy shop ronddejambe.

More interviews are in the works…

Some names have been abbreviated at the request of the artist. Information regarding the artist has been reviewed and approved by the artist.

Interview #2

The Artist: Juliana Olsson is a science illustrator, grad student in Museum Studies at Johns Hopkins, zombie researcher, & that rare species: the San Francisco native.

She currently lives in Nashville, TN, interning at the zoo. We had a very long chat about what it means to be a successful multi-disciplinary artist with multiple competing interests.

LB: When people ask “what do you do?” how do you describe your work?

JO: Career-wise I’m between jobs, but my most recent paychecks are from science illustration gigs. I use pencil, paper, observation & some imaginations to tell the story of a species.

LB: How did you get started being a science illustrator?

JO: My last semester of college, I realized I didn’t know what to do post-graduation. But I knew I wanted to combine art & science. I started doing projects for labs, and was hired by a researcher at Cal Academy of Sciences.

LB: What do you struggle with when it comes to your work?

JO: The loneliness of the work. Channeling my perfectionism into something workable (read: not constantly feeling dissatisfied with my work). I have to remind myself to take breaks.

LB: What is your approach to that struggle?

JO: As much as I love drawing, I really need a career where I’m on a team, where there are people around. That’s how I fell into museum studies. To make the perfectionist voice go away, I just need to practice more.

LB: If someone said, “I want to do what you do,” what advice would you have?

JO: It’s great work for an artist with an inclination towards science and nature. Illustrators are always needed. There’s a lot of useful technology, but a human filter is required. There is a guild, several schools & programs, & internships.

LB: Who has inspired you?

JO: I recently read about an 18th century artist named Jan van Rymsdyk who did some amazing work, but I always admire/aspire towards my talented contemporaries. Check out: http://scientificillustration.tumblr.com/

LB: What are your goals & passions?

JO: I considered getting a certificate in science illustration but am pursuing the masters in museum studies instead – I’m really hoping to make science education more exciting and fun!

In the mean time, I’m working on homework, my website, a friend’s music video, and one day I WILL write the definitive analysis of zombie films.

And in general I get excited about many forms of art, and seeing things I want to do or make.

LB: Do you think of yourself as an artist? Why or why not?

JO: Yes and no. People pay me to draw things, and I draw in my free time. But I’ve never felt good enough to call myself a true artist. If I were an artist, my art would be my whole life (or a bigger chunk of it), and I’d be creating inspiring, unique things.

LB: Do you think of yourself as successful? Why or why not?

JO: I’m still looking for a vision of what I want to do. Success will be when I have clearer goals, and am on the path to making them into reality.

Juli’s work can be seen at:

www.julianaolsson.com

She can also be found on Twitter @julipants

 Much thanks to Juli for her interview & help with the editing process!

Purchase this interview in all its mini zine glory HERE

 

 

2011 to 2012: Let’s Get Ambitious

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Well hello friends!

So, my last post was in Nov. 2011, before my life disappeared down the rabbit hole (literally) of wardrobe and costume work for ODC Dance’s 25th Anniversary of The Velveteen Rabbit, trying to keep up with the ODC Dance Jam, holidays, and travel. Happily, everything went smoothly and I even got to spend time with my wonderful family and amazing friends in CO and CA.

And here we go! Not even a full week into 2012, and already things are starting up again in full force. But before life gets too crazy, here’s a fun and ridiculously long list of my resolutions, aspirations, and projects for 2012!

IN LIFE

  • I want to be more direct, straightforward, confident. Go for what I want!
  • Plan ahead more.
  • Take control of my personal finances.
  • Get out of the city more often! Hiking, day trips, seek wilderness!
  • Go see more local shows (music, dance) & art
  • Learn more Spanish!
  • MORE: art, dance, music, food, books, travel, love!

IN DANCE

  • Make a weekly class schedule & stick to it!
  • Choreograph & present new work
  • Audition, seek collaborations
  • Ponder: Teaching? Yoga certification?

IN ART & COSTUMES & FREELANCE WORK

  • Continuing work with ODC: Dance Jam & Costumes!
  • I want to focus more on my drawing & designs. (Webcomic?!! SF Zine Fest 2012!!!)
  • Ponder: Ways to sell – Etsy shop development? More festivals?
  • For this site: Continue Successful Artist Interview series, pages of portfolios/galleries, keep experimenting & developing!

Let’s get ambitious about 2012.

Happy New Year! – LB

An Interview with a Successful Artist: Matt Mochizuki

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The Project: I want to be a successful artist. What does that mean? How do I define “artist”? How do I define “success?” I want to interview fellow artists for my own and others’ inspiration.

Notes: I started with artists I know personally very well, and the first 5 interviews came together in a mini-series of emerging artists. This interview and the 4 that follow were transformed into mini-zines with hand-drawn portraits of the artists and other details by me. These are available for purchase at my Etsy shop ronddejambe.

More interviews are in the works…

Some names have been abbreviated at the request of the artist. Information regarding the artist has been reviewed and approved by the artist.

Interview #1

The Artist: Matt Mochizuki works for a multi-desciplinary architecture design and build firm. After a long day in the metal shop, he answered my questions about being a successful artist.

LB: When people ask “what do you do?” how do you describe your work?

MM: I’m an architectural metal fabricator. I weld a lot – mostly high end work. That means making sure the welds can’t be seen.

LB: How did you get started being a metal fabricator?

MM: I couldn’t get a job as an architecture student, and working with my friend SF, I found I enjoyed building. I got my Masters and learned how to weld properly.

LB: What do you struggle with when it comes to your work?

MM: At first it was hard to do welds seamlessly. Grinding was hard to get used to and I wasn’t that good.

LB: What is your approach to that struggle?

MM: Now I’m better at welding and grinding and I’d have to say it’s all the repetition, and well, I hadn’t really welded that much before this job.

LB: If someone said to you, “I want to do what you do,” what advice would you have?

MM: Learn how to weld! I mean, basically, you need to get good at welding, grinding, and machining.

LB: Did you ever ask someone that question? Who has inspired you?

MM: My teacher, LLB. He was so passionate about metal working and he knew everything there was to know. He was really approachable – always able to field questions. Also, my friend RL really inspired me. He really taught me how to weld. And I could ask him any questions I was afraid LLB didn’t have time for.

LB: What are your goals when it comes to your work?

MM: I’d like to own my own metal working shop, maybe with wood working tools, too, so I can incorporate wood and metal. I really have a lot more experience working with wood.

LB: What essentially makes you passionate about metal working?

MM: The satisfaction of creating something everyday. It’s kind of a power trip – you’re joining two pieces of metal together… WITH FIRE.

LB: Do you think of yourself as an artist? Why or why not?

MM: Yes, I like creating things.

LB: Do you think of yourself as successful? Why or why not?

MM: Yeah, I mean, I’m more successful than I was before grad school!

Thank you Matt!

Purchase this interview in all its mini zine glory HERE

New Postings, Happenings & Upcomings

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Hello Friends!

It’s a Friday and I’m at home! I renewed my health insurance today (yay health insurance)! The sun is shining in the Mission and my boyfriend has promised to make his amazing enchiladas tonight. Things are good! Things are BUSY…

I have lots of new postings, happenings and upcomings in my life that I’m very excited about.

ODC Dance has hired me to be the wardrobe head for their annual holiday show, The Velveteen Rabbit. It’s a big, lovely show with lots of intricate costumes, and I’m so excited to be apart of it! What will I be doing? Inventory of costumes, fittings with dancers, overseeing any repairs and alterations, loading in and out of the YBCA, and making sure everything goes smoothly when it comes to costumes at every live performance!

I’ll also be starting the costume work for Lick-Wilmerding High School’s winter dance concert next week. This will be my 3rd concert with them! I always love working with their enthusiastic dance students.

Today, I added 2 new HellaScarves to my Etsy shop: ronddejambe! Please say hello to Raw White

& Sea Creatures

Mmmmm… fancy!

Next week, on this blog I’ll be starting a new series featuring an interview / zine project I did this summer about successful artists. This zine series premiered at this year’s SF Zine Fest, and I can’t wait to finally show it online, too.

I’m continuing my fascination with color research, I bring you shades of…

Sea Foam Green

On Etsy & On Pinterest

Lastly, I’ve added a portfolios and galleries page to this website, where I’ll be featuring photography of myself and my work. These pages are still under construction, but I’ll let you know as things progress.

Enjoy! And Happy Halloween weekend!

- LB

ODC Dance Jam & An Afternoon in Wine Country

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Dear friends,

Recently, I had the privilege of attending the ODC fundraising event, An Afternoon in Wine Country at the Rubicon Estates, Francis Ford Coppola’s winery. I was in the good company of the ODC Dance Jam and I have to say, we had an excellent time of it! And, I’m happy to report that we helped raise quite a lot of money for the ODC school, youth program, and company.

Here are some of my photos from the event! Click to enlarge.

About that last picture… I didn’t get a picture of it in Napa, sadly, but I bought a fascinator for this and future fancy events! Discovered at the SF Alternative Design Studios, it is a one of a kind piece of wearable art, handmade by House of Nines Design. I couldn’t be happier with it!

Keep it fancy, friends!

- LB

Fashion Bandit

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Dear friends,

I have a new product in my Etsy shop! This HellaScarf, or “statement neckwear” piece, Bandit: http://www.etsy.com/listing/83109414/black-on-black-statement-neckwear

Inspiration: I was inspired by black-on-black fashion, wanting to create shorter, closer-to-the-neck, more like a high collar-type of sculptured scarf, and oh yes, this insanely fun movie Let the Bullets Fly featuring 1920′s Chinese bandits!

What would go well with this? Items from other Etsy sellers that would look great with this new HellaScarf, and also capture the same fashion sense that I was going for when I created Bandit.

(or, what I wish I was wearing in the product photos!)

From your head to your toes…

For inspiring your inner bandit:

Bandit in Black – 10×15 Giclée Canvas Print by cheeseboyproducts

For your mod-loving earlobes:

Little Mod Robot Earrings by Petunkalunka

&

Mod Black Clover Earrings by BeesKneesCrafts

For the killer,  black and white combo:

Black Rose Goth Ostrich Feather Fascinator Hair Clip by STAROSECREATIONS

which would look awesome with Bandit & this dress:

Vintage 1960s Mini Pan Am Dress Black and Silver Metallic Dress / Mod Futuristic Stewardess Dolly Mini Shift from VivaLaVintageShoppe

 For dressing up your daytime fashion:

High Fashion Black EMO Steampunk Top by Thai Saket

or, to contrast Bandit’s darkness, but keep the draped look:

Hand knitted, mohair, sleeveless sweater with cowl neck by Julia Gasin

To match Bandit’s sleek fanciness:

Black Silk Brooch, Kanzashi Floral Pin in Noir Flower by PetalMix

which would look great with

The Night Out Dress by necessityisthemother

And of course, don’t forget your boots, you bandit!

Button Up Black Boots (size 7) by OtherPeoplesProperty

To the Etsy sellers who allowed me to feature their products & the super fabulous Laurel, who inspired me to create this post – Thank you so much!

So if you need that perfect accessory to bust out your inner fashion bandit, for those days you just want to create a little mystery…

Enjoy!

LB

bits of Aug & Sept

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Dear friends,

I like to pretend I’m a photographer. I like photography and taking pictures. I’m not really a photographer, but for some reason, someone thought it would be okay if I had regular access to a camera.

Sometimes things just strike me and I have to capture them. Then, when I dump my camera’s guts onto my computer (a messy business), I end up with random bits that don’t belong to a specific event or time or place.

So here you go, some extra photography bits that I like from this August & September. Now that I look at them laid out like this, it reads kind of like a poem… Enjoy!

(click on pics to enlarge)

baby basil

pre-SF Zine Fest prep

color bundles

a lot of coffee, ready to be iced

(for our 1 week of summer)

(don’t worry coffee snobs, it was the pour-over method, but more than one round)

artichoke – who knew your insides were so beautiful?

—–

In other news, I’ve become obsessed with finding perfect shades of the color

Olive Green

On Pinterest & On Etsy

I’m thinking of doing more color-centric boards and treasuries like these. More on Sea-foam Green soon.

Thank you,

LB

Wait up, September, wait!

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Dear friends,

I’m still trying to catch up from the last couple months, not to mention catch my breath!

Around mid August, before things really got crazy, I decided to take on a little crafty fabric recycling project. I had two tank tops in the same style that were getting really worn out in the arm pit area, and a sports bra that was also getting a little worn out and just needed some extra reinforcement. The final product, a sports tank top, is great and I’ve already worn it to a couple dance classes. Haven’t popped a seam yet!

At the end of August, beginning of September, My Colorado BFF, Megan Q, came out for our 3rd San Francisco Zine Fest. We had a great time shopping in the Mission, frolicking on the beach, eating many tasty treats, and of course, rocking our table as The Calico Umbrella Collective at the SFZF 2011! We both had new zines (more about that coming soon), and also hosted our 1st SFZF forum. We got a good-sized group of artists to discuss productivity and time-management skills. We were very excited to share our table with KokoroKara and Pinup Brooches this year. They are both lovely artists and friends!

The next weekend, my brother Geoff came out for a quick visit. In one day, we went from Ocean Beach to the Bay and several places in between, making the mandatory stops at Kid Robot and Upper Playground. And Geoff managed to get us ground-level seats for the Giants vs. Dodgers game! We also delighted in delicious dim sum downtown, Mission burritos, and sore feet!

Photos:

In between guests and work and what not, I celebrated my 1 year anniversary with my boyfriend Matt and my 2 year anniversary with this amazing city!

My internship as the ODC Dance Jam intern, or, “Jam Sister,” got into full swing mode with the audition, first meetings, and rehearsals starting.

I’m working on the look and feel of this site, and tying together my other online outlets in a cohesive manner. Any feedback is appreciated!

Thank you,

LB

Interloping

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Dear friends,

It’s been a very busy couple of months. I just wrapped a big project and took a trip.

The big project was the filming of an indie short here in San Francisco. The film is tentatively titled Interloping. The story is about two young actors struggling in their relationship and their day-to-day, city lives. They decide to go out on the town one night, but without spending any money. They pretend to be a wealthy, married, British couple. But how far and how deep does their escapism run?

I was recruited by the director, Quentin Jones, and the producer, Nate Visconti, in January of this year. I know them both through a mutual friend, and I consulted on a short film they did last year. With that first project, all I did was read the script, then I sat down with them, and told them my thoughts on the costumes. Then they ran with my ideas.

For Interloping, at first, they asked me if I would do costumes. Then later they said they really needed an Art Director, and would I be interested in doing that?

Of course, I said yes.

Then I went home and called my friend in film and television, the glamorous Tom Mares of Denver, CO, and asked him, “Tom, what is an Art Director?”

It was going to be one of those projects.

I was in charge of managing the overall look for wardrobe, set, and props, in accordance with the director’s vision of the world of the film. I also had to find, buy/beg/borrow, organize, and make sure everything and every detail in these departments was accounted for.

My character and wardrobe sketches:

The production was slated for late April, early May, but due to complications, it was pushed back… then pushed back again… In May, I  started keeping track of everyone’s schedule and helped maintain communications between the various parties.

I’m not going to lie. This was one of the most difficult projects I’ve been on. I learned how hard it can be to keep going a project even when you are frustrated and feel like, “I am so over this.” I had to keep returning to why I wanted to be a part of the project in the first place. The power of the script, the story, was what kept me going. That was what had drawn me in initially, and I had to trust that if we could build it, it would be a worthwhile piece of art.

Everyone involved learned a lot on this project. It was interesting to see how pushing back our production and working on it longer actually made it stronger.

For me, I learned that I really enjoyed this work. My favorite parts were doing the set dressing and finally seeing the wardrobe pieces come together. There’s an indescribable moment that happens when you look over the cameraman’s shoulder and you see the world you’ve seen in your head fall into place and come alive, right in front of you. But I had to keep in mind that this wasn’t just “my world” or “my vision.” Essentially, it belongs to the director. It would be interesting to know more about how different directors work with the production design aspect. I’m sure some directors are more visually design inclined than others.

I’m very interested now in this work of “production design.” It makes a lot of sense to me, with my background in the performing arts and my plethora of interests. I’m curious to see if I could do this again for a different production. That being said, I also learned that I will never again do this work for free. And honestly, that’s a valuable lesson for an artist to learn.

Above all, with Interloping, our crew was amazing. Everyone we worked with really came through beautifully. I can’t wait to see the finished product and share it with you!

Production photography stills:

Until next time!

LB